I started Analogue Artefacts as a way to reconnect with something I felt I was slowly losing—my passion for analog photography. After years of working professionally in digital photography, I needed a space where I could return to film, slow down, and explore photography in a more personal and experimental way.
This project is where I allow myself to work freely with film photography, art photography, and experimental photography—without the constraints of commercial work. It’s a place to rediscover the process, the imperfections, and the unpredictability that made me fall in love with photography in the first place.
I’ve worked as a digital photographer since 2004, mainly focusing on people photography for both private and corporate clients, as well as product photography. But no matter how much I’ve worked digitally, I’ve never really left analog photography behind.
Shooting film has always been my way of thinking differently—more slowly and more intentionally. It brings a tactile and physical dimension to the process that digital can’t replace, and it’s something I keep returning to in my personal work.
Most of what I create outside of commercial assignments falls within art photography. I primarily work with analog cameras, though I sometimes combine film with heavy digital editing or video. What matters most to me is the creative process and the final expression.
My work often moves between black-and-white cityscapes, minimalistic architecture, abstract images, and multiple exposures. I’m especially drawn to experimental photography—testing ideas, breaking conventions, and occasionally developing my own techniques and alternative processes.
For a long time, I was creating images without really having a place for them. Much of my work remained unseen, stored away without context. While platforms like Instagram offered a starting point, they never fully aligned with how I wanted to present my work.
Analogue Artefacts became that space—a platform for analog photography, film-based work, and creative exploration. It’s both an archive and an ongoing process, where I can share not only finished images but also thoughts, experiments, and ideas.
From time to time, I also share analog photo tutorials, film photography techniques, and insights into experimental processes. Not as a set of rules, but as a way to exchange knowledge and hopefully inspire others working with film and creative photography.
This isn’t about perfection. It’s about process, curiosity, and staying connected to photography in a way that feels real.